Pre-Raphaelite imagination, 1848-1900
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Pre-Raphaelite imagination, 1848-1900 by John Dixon Hunt

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Published by Routledge & K. Paul in London .
Written in English

Subjects:

  • English literature -- 19th century -- History and criticism

Book details:

Edition Notes

StatementJohn Dixon Hunt.
Classifications
LC ClassificationsPR466 H8 1968
The Physical Object
Paginationxv, 262 p., [16] of plates :
Number of Pages262
ID Numbers
Open LibraryOL14343219M
ISBN 100710064977

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The Pre-Raphaelite imagination, [John Dixon Hunt] on *FREE* shipping on qualifying : John Dixon Hunt. Get this from a library! The Pre-Raphaelite imagination, [John Dixon Hunt]. Open Library is an open, editable library catalog, building towards a web page for every book ever published. The Pre-Raphaelite imagination, by John Dixon Hunt; 7 editions; First published in ; Subjects: Art, English literature, History and criticism, Pre-Raphaelite Brotherhood, Pre-Raphaelites; Places: England, Great Britain. Lavishly illustrated with color plates, The Last Pre-Raphaelite shows that Burne-Jones's influence extended far beyond his own circle to Freudian Vienna and the delicately gilded erotic dream paintings of Gustav Klimt, the Swiss Symbolist painter Ferdinand Hodler, and the young Pablo Picasso and the Catalan by: 7.

This is a thorough and very well-written biography of Edward Burne-Jones ( to ). He comes across as a sweet-natured, loving and lovable, witty, sensitive, and workoholic person, extremely susceptible to the charms of young women and pre-pubescent girls whom he referred to as his "pets", and deeply upset when they married/5(31). A provocative interdisciplinary study of the Victorian novel and Pre-Raphaelite art, this book offers a new understanding of Victorian novels through Pre-Raphaelite paintings. Concentrating on Elizabeth Gaskell, Wilkie Collins, George Eliot, and Thomas Hardy and aligning each novelist with specific painters, this work interprets narrative redrawings of Pre-Raphaelite paintings within a . The Pre-Raphaelite Brotherhood was founded in John Millais's parents' house on Gower Street, London in At the first meeting, the painters John Everett Millais, Dante Gabriel Rossetti, and William Holman Hunt were present. Hunt and Millais were students at the Royal Academy of Arts and had met in another loose association, the Cyclographic Club, a sketching society. The Pre-Raphaelite Imagination, – Lincoln: University of Nebraska Press, E-mail Citation» Especially strong on the influence of Pre-Raphaelitism on later Victorian literature and on the genesis of s decadence. Journal of .

Washington, DC—Combining rebellion, scientific precision, beauty, and imagination, the Pre-Raphaelites created art that shocked 19th-century Britain. On view from February 17 through , at the National Gallery of Art, Washington—the sole U.S. venue—"Pre-Raphaelites: Victorian Art and Design, –" is the first major survey of the art of the Pre-Raphaelites . The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination. By Fiona MacCarthy. Faber and Faber; pages; £ Buy from SIR EDWARD BURNE-JONES was an eminent. Books. The Pre-Raphaelite Imagination: – (Routledge & Kegan Paul, ) His Critical Commentary on Shakespeare’s “The Tempest” (Macmillan ) The Figure in the Landscape: Poetry, Painting, and Gardening during the Eighteenth Century, Baltimore and London:The Johns Hopkins University Press, In seven inexperienced young artists banded together to form the Pre-Raphaelite Brotherhood. Together they created a novel style that bewildered its first audiences and retains the power to shock, as well as fascinate, a century and a half later. This book explores the collaborative practices of the Brothers and their close associates, and accords a major role to .